Author: Brett_G

“Halloween Kills”

8.4

Did they just nail a Michael Myers movie? Yes. Yes they did.

The perfect balance of psychological thriller and brutal slasher, this film picks up right where we left off in Halloween (2018) and didn’t let off the gas until the credits roll. I was hoping they would get more creative with the kills in this installment. They did, and then some. This is one of the most beautifully brutal slashers this side of the ’80s.

The story does lean pretty heavily on nostalgia on the character side, but that’s to be expected when your main characters are this legendary. Michael develops more depth than I ever thought possible while being matched up against the entire town of Haddonfield this time. Laurie feels like she completes her arc in the series, finally passing the baton to the younger generation. The ending was off the charts but in the best way possible. They get into the psychology of the town as mob justice prevails in the face of perilous fear, which was a very timely subject and angle to attack this from. The score, as always, was terrific. If I had to summarize, it would be, “just enough nostalgia, just enough surprise.” Highly recommend for your Halloween viewing pleasure. It is streaming on Peacock but plays so much better on a big screen.

“Malignant”

7.7

James Wan at the height of his powers.

A creative, original story. Camera angles no one else would think of using. A largely unknown cast that you care for enough to cause buy-in into the story, heightening its impact. This film fires on all cylinders.

You can see elements of Wan’s entire filmography in this. The music and feel of “Saw,” the storytelling and characters of “The Conjuring,” and the road trip scenes of “Fast and the Furious.” The third act reveal of the true villain, and some of the closing shots had me on the edge of my seat in a way I haven’t been since I first watched “Saw.” The film’s rewatchability may not be as strong as some other horror films, but the initial wow factor is superb. A solid start to spooky season!

“The Card Counter”

7.9

“Any man can tilt.”

An Abu Ghraib movie the weekend of the 20th anniversary of 9/11. Ballsy move, but one I think pays off by the time the credits roll. What begins as “Molly’s Game” quickly turns into an Oliver Stone documentary, pulling back the curtain on the complicated nature of morality, the role of the United States in history, and the human costs of war. Oscar Isaac and Tiffany Haddish cement themselves as leading cast members. A masterclass in framing, tension building, and impactful filmmaking.

“Cooking With Paris”

7.2

I’m still a bigger “Selena + Chef” fan, but this was a close second. All the typical Paris shenanigans, with a carousel of celebrity friends learning to cook. It’s gaudy to the max. If you’re not concerned with actually learning any culinary expertise, this is your show. If you want actual recipes and depth, head over to HBO Max for Selena’s rendition.

“Free Guy”

9.2

This is the movie of the year, as far as I’m concerned.

You think I’ve lost my mind, I know… Well, I’m completely lucid and in love with this movie. I expected a fun hour and a half of laughing along with unmasked Deadpool. You know what? I got a profound story about purpose in life, adventure, artificial intelligence, ethics, and a fantastic action film. All with just the right amount of ridiculousness, cameos, and appearances by Disney intellectual property. It adds to the story with finesse, instead of beating you over the head with sensory overload like “Ready Player One.”

Perfect cast, all in the ideal roles, with an excellent story. Told through rich cinematography that feels much more lifelike than the videogame most of the story takes place in. The grounding of the story is a love story, and it being the last one you expect left me blown away and singing the praises of this film I had to wait over a year for. Much more worth the wait than “New Mutants.”

Honestly, this thing fires on all cylinders and will leave you moved and inspired. Bravo!