Salma Hayek serves as a strong addition to the now trio main cast here. Also of note, on par with Samuel L. Jackson in saying “motherfucker.” Made me laugh/cheer every time it happened. The villain was meh, but that’s not really the main reason you’re coming to the theater to watch this. Turn your brain off, watch the explosions, and enjoy the laughs along the way. An excellently executed, tight hour and a half action comedy.
This one was kind of amazing… I was expecting funny, but it far exceeded my expectations!
Be it my appreciation that it brought Dementia/Alzheimer’s into the limelight or the fact that this cast was fantastic, and it knocks it out of the park for a tight hour and a half. Better than expected laughs with just as much heart balancing it all out, some moments hitting a little close to home for someone who used to work in a nursing home, bringing back all the right nostalgia. Doc Brown (Christopher Lloyd) continues his recent renaissance. Helen Wilson shines as the leading lady. They seem to crank out at least one of these comedies a year, but this one was up there with “Book Club” on the level of wildly out-kicking its coverage. A feel-good movie when we need some real feel-good movies to welcome us all back to theaters.
The better version of “The Father.” There, I said it! This movie should have been in the running for best picture instead.
I spent at least 2/3 of the runtime misty-eyed. But I also laughed more genuinely than most films are able to achieve. Such a horrific story and situation that forces moments of profound beauty and perspective.
Tiffany Haddish kicks ass in a drama role in this one. Just as unexpected as Billy Crystal. They both toe the line of seriousness and humor with grace not many have. It illustrates the balance between the two we often struggle with within our own lives. This is why I prefer this version of “old man losing his marbles” to “The Father.” The films have very different approaches with a similar intent of bringing awareness to Alzheimer’s/dementia. I just preferred this more human feeling, struggle to be lighthearted in the face of darkness approach. Very well done and worth the time and tears.
I couldn’t tell if they were being serious or joking at times, but chose to see it as deadpan humor at its finest. Similar to “The Dead Don’t Die.” Satirical horror at the height of its powers. A fantastic cast. Special effects that mix incredible technology with “this looks like the claymation from Pee-Wee’s Playhouse.” Either way, you will depart thoroughly entertained and asking yourself “how in the hell does this have a 91% on Rotten Tomatoes?!?!”
So many societal issues, handled with the perfect mix of grace and awkwardness. Ed Helms and Patti Harrison shine as the two perfect people to bring this story to the screen. Similar to “Promising Young Woman,” this film takes incredibly awkward topics and brings them to life on screen in such a way that they seem much more approachable. The beauty of human life and the relationships between people. The wonder of what life can be when we let go of “the plan” and “normal.” I laughed, I got a little misty-eyed, I came away with a lot to ponder in how to present this. The only beef I had was with the ending, but I can also understand and support the artistic choice. A lot of heart in this one. The kind of storytelling that has come through and shined on the big screen in the past year with the almost absolute absence of big, blockbuster franchises sucking up all of the silver screen real estate. Well worth a watch!