Cinematic Sommelier
8.2
Was it great? Of course. Was I also happy that this is the end? Also yes. A cinematic victory lap emptying out all the greatest hits, as Ed and Lorraine saddle up for one last ride. There’s a lot to like here, a lot of good scares, and a great deal of ridiculousness that gives this cinematic universe its charm. A fitting, albeit long in the tooth finale to the series.
7.6
So many twists and turns that it almost tips the scales into comical territory, but the drama feeds the dedication to hit “continue watching.” A solid Netflix whodunit series with a nice mix of ridiculousness to keep things interesting. Brittany Snow has a very interesting post “Pitch Perfect” career so far. You’ll say “what the hell am I watching?!?” at least once per episode.
6.8
I loved it… then I hated it… then I landed on liking it. It went from intriguing to nauseating and back to charming. Just all over the place. Pedro Pascal fell flat and them trying to make Chris Evans the “unlikable” and “less attractive” option was a laughable decision. Dakota Johnson continues to be the female Vince Vaughn… playing her usual character amongst different supporting players.
6.8
If studio notes were a movie… it feels like it was written by an AI told to “make every hip Minecraft reference for ___ minutes.” A sloppier version of “Ready Player One.” I didn’t love it. I didn’t hate it. I was afraid of having popcorn thrown at me during “Chicken Jockey”… It’s colorful.
7.4
Such a bizarre love triangle, with the backdrop of a literary competition… I didn’t expect it to work as well as it did. A little cliche, but with enough charm to carry it across the finish line. You almost won’t mind the French.
Brett Garten, Movie Extraordinare 