I feel like I aged 57 years watching this movie, so it was a fitting storyline…
The cinematography is gorgeous. The story has such potential. That being said, you’ll be rolling your eyes by the third act. It’s the ending. AGAIN! There doesn’t need to be a life-altering twist at the end. Every time. Another swing for the fences, another pop-fly caught for an unexciting out. I didn’t want to attend a 2-hour medical ethics lecture, movie! And anyone who thought this beach wasn’t going to have weird things happen is insane and deserves everything that happens to them.
Annoying characters, predictable story, and an ending that will leave you rolling your eyes.
First, this is a love story. Then, it’s a family drama. Then, it’s a life and death struggle for survival action thriller. Then, it’s a documentary chronicling the political fallout and collateral damage of immigration policy. I could have gone for any one of these and been satisfied, but they checked every boxed and blew every one of them out of the water.
Cinematography-wise, the face closeups, I think, were intended to convey intimacy between the two lovers but ended up just being distracting for me as half of them were out of focus. I was also driven insane by the unnecessary shaky cam used throughout for no apparent reason. These were my only two gripes about the film.
The beauty of food and the way it can transcend countries and language barriers, bringing people together. The power of love, regardless of distance or any other barrier that may be dropped in the couple’s way. This film is all about facing insurmountable odds, sacrifice, and love. It was well worth the subtitles.
I’m also beginning to thing Nicholas Cage has a new rider in his contracts that he is to say no more than 15-20 words per film.
Also also, I unwittingly saw 3 chef-centric films last night. Did not see that one coming.
On the surface, think “John Wick.” But instead of a dog, a pig. Instead of Keanu Reeves, Nicholas Cage. There’s a sweet car, and a guy comes back from the dead to kick ass and take names.
Digging deeper, this film has a lot going on. There is a lot of wisdom woven into this script, from the meta-commentary on the nature of success and the intimacy of the culinary arts to the value of friendship. I did not expect the depth that begins to unfold in the third act but was left in awe of how impressed I was by the time the credits rolled.
Every Nic Cage movie, I’m reminded of this scene from “Community”…
Cards on the table – I would have preferred 2 hours of Tyreese and Ludacris in Space Pontiac Fiero, just making quips and being badass.
I’m only rating it this highly because I knew what I was getting when I went in. The fact that this monstrosity is making the film festival circuit has to be mentioned in the book of Revelations somewhere.
Get ready for narrative whiplash worse than the characters would suffer if they had to obey the laws of physics. Vin Diesel is yet again the only person on the planet still taking these things serious, and decides to take you on a trip to sadsville every time things start to get fun. To the academy: don’t give him an Oscar. Don’t encourage him.
It’s a great action film, and pure spectacle. The “turn off your brain and watch the cars go boom” we’ve all come to expect. Try to forget he’s making a 10th one and decided to piss away all of the goodwill regarding a certain situation from Fast 7. I’m still shaking my head thinking about the decision to greenlight the storyline in this one.
Fasten your seatbelts, and get ready for another 2.5 hour globe-trotting superspy action film. Or, you know, go watch “Tokyo Drift” or something.
Not what I expected from A24. Or really from a stripper movie. This was dumber than “Showgirls,” and that’s saying something. I guess the lesson here is don’t ever base a movie script off a chain of tweet and reddit threads. I don’t even think they re-wrote and polished them. Just printed screenshots and ran with it.
Another valuable lesson – don’t go to Florida with a stripper you just met to go dance. Especially when she travels with a duo of… questionable men.
I’ll fully admit that I may have missed some deeper meaning here, but I also feel almost as resentfully confused as I was walking out of “Uncut Gems.” Also slightly offended? Let’s just say I have new frown lines and almost lost my voice yelling “WTF?!?” at the screen throughout the runtime. (Don’t worry, I was the only one in the theater)