I couldn’t tell if they were being serious or joking at times, but chose to see it as deadpan humor at its finest. Similar to “The Dead Don’t Die.” Satirical horror at the height of its powers. A fantastic cast. Special effects that mix incredible technology with “this looks like the claymation from Pee-Wee’s Playhouse.” Either way, you will depart thoroughly entertained and asking yourself “how in the hell does this have a 91% on Rotten Tomatoes?!?!”
So many societal issues, handled with the perfect mix of grace and awkwardness. Ed Helms and Patti Harrison shine as the two perfect people to bring this story to the screen. Similar to “Promising Young Woman,” this film takes incredibly awkward topics and brings them to life on screen in such a way that they seem much more approachable. The beauty of human life and the relationships between people. The wonder of what life can be when we let go of “the plan” and “normal.” I laughed, I got a little misty-eyed, I came away with a lot to ponder in how to present this. The only beef I had was with the ending, but I can also understand and support the artistic choice. A lot of heart in this one. The kind of storytelling that has come through and shined on the big screen in the past year with the almost absolute absence of big, blockbuster franchises sucking up all of the silver screen real estate. Well worth a watch!
Exceeded expectations! Definitely the strongest video game adaptation in quite some time.
Thankfully, the fighting is everything you imagine and more. It’s just the right amount of blood and cheesiness. A well-told story of tradition, facing adversity, and working together against a common enemy. Where they could have just made a cheap adaptation that just hits all of the high notes, this film really took the time to tell a story while also delivering on the action and adventure you would expect, all while keeping the runtime reasonable. Similar to “Godzilla vs. Kong,” it gives you exactly what you’re looking for, executed at the highest level of the craft.
What starts out as highly problematic actually sticks the landing as a hilarious, heartfelt tale of friendship and personal growth. Jackie Gleason and Richard Pryor at the height of their powers. Pryor and Scott Schwartz have great chemistry together on screen as they melt the cold heart of Master Bates’s “throw money at the problem” father. This really shouldn’t work as well as it does, but it knocks it out of the park and is one of the great hidden gems of the ’80s on this page. “I’m going to hell for laughing at this” humor at its finest.