Category: Blockbuster

“Halloween” (2018)


Definitely one of the strongest reboot/remakes this century. They may have pulled off the impossible and cleansed the sins of oversaturation committed by this series before Rob Zombie took it over.

Unlike the recent “Star Wars” trilogy, this film seems to use the former cast to more effectively handing the baton to the future generation. Other than the unstoppable killing force of Michael Myers. I don’t think they’ll ever make the mistake of relieving him of his duties again (see “Halloween 3”).

The kills fall a little flat as they lean pretty heavily on headbanging early on. It does get better later in the film, though. I felt like this one was doing more heavy lifting in the “establishing lore” department than in the slasher film department. Overall, a fantastic reboot and hopefully a sign of things to come for the franchise and genre in general.

“Halloween Kills”


Did they just nail a Michael Myers movie? Yes. Yes they did.

The perfect balance of psychological thriller and brutal slasher, this film picks up right where we left off in Halloween (2018) and didn’t let off the gas until the credits roll. I was hoping they would get more creative with the kills in this installment. They did, and then some. This is one of the most beautifully brutal slashers this side of the ’80s.

The story does lean pretty heavily on nostalgia on the character side, but that’s to be expected when your main characters are this legendary. Michael develops more depth than I ever thought possible while being matched up against the entire town of Haddonfield this time. Laurie feels like she completes her arc in the series, finally passing the baton to the younger generation. The ending was off the charts but in the best way possible. They get into the psychology of the town as mob justice prevails in the face of perilous fear, which was a very timely subject and angle to attack this from. The score, as always, was terrific. If I had to summarize, it would be, “just enough nostalgia, just enough surprise.” Highly recommend for your Halloween viewing pleasure. It is streaming on Peacock but plays so much better on a big screen.

“Free Guy”


This is the movie of the year, as far as I’m concerned.

You think I’ve lost my mind, I know… Well, I’m completely lucid and in love with this movie. I expected a fun hour and a half of laughing along with unmasked Deadpool. You know what? I got a profound story about purpose in life, adventure, artificial intelligence, ethics, and a fantastic action film. All with just the right amount of ridiculousness, cameos, and appearances by Disney intellectual property. It adds to the story with finesse, instead of beating you over the head with sensory overload like “Ready Player One.”

Perfect cast, all in the ideal roles, with an excellent story. Told through rich cinematography that feels much more lifelike than the videogame most of the story takes place in. The grounding of the story is a love story, and it being the last one you expect left me blown away and singing the praises of this film I had to wait over a year for. Much more worth the wait than “New Mutants.”

Honestly, this thing fires on all cylinders and will leave you moved and inspired. Bravo!



This is one of those monumental films that suffers from its own success. Similar to “Psycho,” “Halloween,” or “JAWS,” it kicks off a revolution of a genre and reimagines the craft of cinema, but then is copied so much that it eventually becomes a watered-down version of itself. I saw so many action tropes in this film and was reminded of the late 90’s action boom and the grandness of epics such as the Dark Knight trilogy, “Titanic,” and “Pearl Harbor.”

This film separates itself because the cast is so overflowing with talent than it does the micro exceptionally well. The intimate, deeply personal scenes, such as the scene in the coffee shop between Pacino and De Niro, are just as awe-inspiring as the grand scale action scenes. The heists and shootouts are some of the best tension-filled directing I’ve seen in quite some time. Shout-out to the Amazon Val Kilmer biopic “Val,” for leading me to this gem!



Seeing as J Lo is making a comeback this week… “Anaconda.”

Were they really trying to riff on “Apocalypse Now?” Hahahahahahaha

If you’re looking for a ridiculous creature feature from the late 1990’s ripping off a horror classic, go watch “Deep Blue Sea.”

Honestly, almost everything was a miss for me on this one. The cast, the plot, the execution. It worked well as a comedy, but I don’t think that’s what anyone was aiming for.