Category: Drama

8.2

Gorgeous scenery, complicated life subject matters, deep characters, acoustic soundtrack…the Alexander Payne (Director) formula at the height of its powers.

Similar to “The Holdovers” and “Sideways” from his catalog, this one doesn’t shy away from the awkward or the difficult. Flawed people taking care of each other in the face of adversity is a film premise that will never tire.

George Clooney delivers one of his strongest dramatic performances, but it’s Shailene Woodley that steals the show. Her transition and development of character throughout the film is one of the greatest strengths of the story. As with most of Payne’s works, it’s the subtlety and attention to the smallest details in every frame that sets this apart from other films. Even the dumbass boyfriend becomes a redeeming character by the end, it’s truly a sight to see. Really well done.

7.4

Nic Cage as a paramedic? Sign me up!

In what could be a sequel to “Taxi Driver,” we join Cage and his carousel of rig partners in trying to wrangle the chaos of New York City, as well as the chaos within themselves.

Oddly comforting was the portrayal of the Emergency Room waiting area. Some things never change…

The film itself was a cross between the ambiance and inner monologue of “Taxi Driver” and the cinematography of “Seven.” It was an interesting mix. Ving Rhames and John Goodman turn in fantastic supporting performances opposite Cage. As does Tom Sizemore, of all people. An unexpected reflection on healthcare ethics and coping mechanisms in the face of insurmountable stressors.