Category: Horror/Thriller

“Terrifier 3”

7.7

Let’s get this out of the way right off the bat – Art killing children is only one of the absolutely abhorrent things that happens on screen during this one. Author Jason Pargin put it perfectly on Tik Tok recently – we go see these movies because we wish that evil was as simple to spot as Art the Clown. There’s definitely something deeper going on with this series, as it begins to not only out-gross large studio blockbusters (I’m looking at you “Joker”) but influence recent studio horror films (Smile 2’s level of gore was at an 11 all of the sudden).

Coming back to the feature, Art the clown has fun brutally murdering and dismembering everyone within any given frame for over two hours. The creativity of kills here is starting to give the “Saw” series a run for its money. Our new final girl Sienna comes into her own against the axe wielding jester, and the series itself finds its sea legs. Krampus is no longer the only horror icon here to ruin your holiday season by going after kids.

Technically speaking, you’re going to be hard pressed to find a better modern slasher. If you can stomach the blood and gore (which even I was surprised by), you’re in for a wild ride. I definitely understand if it’s not your bag, though. This is a love it or hate it type film to its core.

“Never Let Go”

5.1

Nah… they really should have. I’m with Rose in “Titanic” on this one.

In trying to be “Evil Dead” or “A Quiet Place,” this one failed to really be anything. Mom’s crazy – the attempted shoehorning in of a possible demon falls flat on its face amongst more biblical references than you can shake a crucifix at. And did we really have to get THAT close to watching her kill the dog with a crossbow?!?

It’s an hour and forty minutes that feels like three hours of your life that you’ll never get back.

“The Substance”

8.4

“Why does her bathroom look like something out of a “Saw” film?”

“Why is that hallway carpet and red bathroom straight out of “The Shining?””

Not since the movie “Society” have I seen a movie quite this moist… I can honestly say that I did not see the third act going that off the rails. Homages aside, the execution here is second to none. Demi Moore and Margaret Qualley are perfect playing off each other, and Dennis Quaid is the perfect amount of creep to really drive the central points home here. There’s definitely a strong underlying theme of obsession with vanity and selfishness and the broader themes of the Hollywood system. But there’s also one of the best body horror films in years. The originality of the horror slate this year is so refreshing, and I’m here for every frame of it on the big screen!

“Speak No Evil” (2024) / (2022)

7.9 / 8.1

As a die-hard Shudder fan, I’m disappointed in myself that I didn’t realize that this was a remake of a fairly recent foreign horror film.

As for the American version, James McAvoy really makes it all work. Without him and his perfected mask slips and eventual descent into madness, I’m not sure they pull it off. I was genuinely uncomfortable from beginning to end. There’s just enough “off” in each scene to keep you on edge and keep you guessing where the next turn will lead. I will also never hear the Bangles’ “Eternal Flame” the same ever again.

Onto the foreign version… they really went all out. Where I didn’t think the remake pulled any punches, it turns out that there was indeed more room for things to get worse… much, much worse… This one is definitely not for the faint of heart or weak of stomach.

“Front Room”

6.1

Definitely one of the most disturbing movies of the year… it’s got that going for it.

As someone who used to work as a nurse aide in a nursing home, I haven’t seen this much combative old lady and incontinence everywhere in a long time.

The religious cult angle was a bit of a surprise. I expected an hour forty of the uncomfortable scenes with the lady from “poltergeist” weird voice, but didn’t expect it getting as strange as it did. There’s really no preparing for something like this.

Kathryn Hunter and Brandy do everything they can to rescue this thing, but it’s just too weird of a story to overcome. It couldn’t pull out of trying to be shocking to be anything else.