“They say redemption can be found in the most unusual places.”
Pretty damn good action thriller. Gerard Butler and Mike Colter team up to save a plane full of people from a remote island warlord in charge of a rebel force who holds them for ransom. Of course, with a little assistance from a Seal Team 6 type bunch of “fixers.” A war room. Gerard Butler doing Gerard Butler things. A tight runtime with little fat, and only one action scene with shaky cam. All in all, a good day. Well done! Much better than I was expecting, given the asinine marketing campaign and brain dead title.
One of my favorite action sleeper hits. Costner and Cook have fantastic chemistry as the mentor/mentee in the murderous arts. Costner does a great job of portraying the struggle of leading a double life while also exuding a calm coolness almost the entire time. The twist at the end always elicits a cheer from yours truly. It blew my mind the first time I watched it.
In a story arch as unlikely as the “50 shades” trilogy, our main character Kim goes from nymphomaniac to professional assassin in the blink of an eye, with little to no explanation. This may also be the only film I’ve ever seen other than “Old School” (you’re my boy, blue!) where an elderly man is killed simply by the power of a nice pair.
The soundtrack had me in stitches as it never matched what was going on on screen. The acting was laughable. But it was an entertaining hour and a half, I’ll give it that. A thank you to “Cinema Speculation” for this odd rabbit hole to travel down.
Courtesy of Quentin Tarantino’s “Cinema Speculation,” which I highly recommend… one of a handful of oddballs you’ll see here on the feed in the next month or so.
A classic revenge thriller. “Taken” before the genre was run into the ground in the 2010s… back when it was run into the ground in the 1970s.
Man from Grand Rapids sends his religious daughter to LA on a youth group trip. Girl gets into porn. Man goes on the hunt for retribution against the man/men/women who contributed to her corruption.
I’ll also save you time – the reason you know the private investigator is because he’s Ray’s dad from “Everybody Love’s Raymond.” Apparently he’s never had hair.
If you enjoyed the first one, you’ll love this one.
The story itself isn’t much to write home about, but let’s be honest, that’s not why you’re here. We’re all here in front of the biggest screen we could find (preferably IMAX) to watch this in 3D because it’s the most beautiful film since “Interstellar.” Similarly, the special effects are scary good. The CGI water is so realistic it will have you questioning reality. It makes almost all other CGI since the original seem like a waste of time. In a word – breathtaking. So much so, you’ll forgive the director for wandering of for 45 minutes in the middle to just show off the technical capabilities of the special effects studio.
Story-wise, I couldn’t help but applaud the “homages” to other classic films such as (as quickly as I could mentally note): JAWS, Moby Dick, Fast and the Furious, Avatar, Titanic (including the exact score and shot of the flooding hallway), Blackfish, Interstellar, and so many more. But again, it’s so damn beautiful and well done, you’ll forgive it. In summary, it’s a story about family. Wrapped in a story about the importance of love as a cornerstone of humanity, similar to “Interstellar.”
The third act makes it all worth it, as Cameron revisits his action directing chops and delivers a superb final 45 minutes that leaves you on the edge of your seat cheering for number three. A true master of his craft, even if he only delivers one film per decade.
Brett Garten, Movie Extraordinare 