Category: Blockbuster

“Madame Web”

5.4

You can put Sydney Sweeney in glasses all you want movie… I still noticed she was in a schoolgirl outfit… “dorky” did not overpower the hot. Do better. The pigeonholing of what could have been interesting characters as caricatures was insulting.

It’s really as bad as you’ve heard. I was hoping to prove the tide wrong, but I can’t do the mental gymnastics. I could point out 3-4 different exact points where I’ll wager the walk-outs are happening. And half of them aren’t even the plot, they were the nauseating action. There were more jump cuts and camera tricks than Liam Neeson hopping the fence in “Taken 3.” This made Michael Bay’s “Transformers” choreography look artistic in comparison.

“The Room” (yes, that one) has a more coherent plot and better developed characters. Half of this movie is shot with the actors facing away from camera so that they could voiceover to try and patch things together in post.

The soundtrack is pretty sweet. I’ll give it that. And it had promise. There was so much potential to work with… but when you botch the “with great power, comes great responsibility” speech and force the audience to spend most of the runtime trying not to hurl from the cinematography… you’re gonna have a bad time.

“Argylle”

7.7

Not sure which was worse. Henry Cavill’s CGI mouth in “Justice League” or his haircut in this…

I was really worried during the first 45 minutes of this one. Thankfully, it took off after the first act and ended up being a really well done spy thriller romance by the time the credits rolled. Sam Rockwell can save anything. The man may not always be a lead on the marquee, but he’s a lead in our hearts. Similar to Bob Odenkirk in 2021’s “Nobody,” I never had Rockwell as the James Bond type, but I’ll be damned, he pulls it off and then some in this one! The chemistry between him and Bryce Dallas Howard was, dare I say it, even better than the “Jurassic World” trilogy.

It’s Matthew Vaughn at the helm, so you know the action will be beautiful and the soundtrack eclectic. Both promised delivered on here from beginning to end. There was so much under the hood of this one that I was not expecting, and pleasantly surprised by. The twist leading into the third act dropped my jaw, right before learning the true meaning behind the Beatles song in the background the whole time punched me in the gut. Highly recommend for a fun, albeit long sitting in the cinema!

“I.S.S.”

6.1

Ladies and gentlemen, we have our first bomb of the year!

What could have been an interesting plot is sufficiently squandered by the time the credits roll. We didn’t need this movie. Let alone the tired Russia vs. U.S. plot. The sad state of space CGI. Mediocre execution. Maybe it’s just that “Interstellar” set too high of a bar, and movies since are just struggling to catch up?

Nothing against the cast. They tried. There was just nothing to work with here. The only bright spot was that it was on an hour and a half of my life I can’t get back.

“Godzilla Minus One”

8.1

Far better than any of the U.S. Godzilla films. This film has stakes and substance in abundance. Well worth the subtitles.

The first 10-15 minutes of this film are truly ruthless. Where our American counterparts suffer from fear of alienating audiences, opting to play it safe, this film goes for broke at every opportunity. It delivers a much deeper message about the human experience and harkens back to the original themes of the Godzilla franchise, grappling with our use of technology and obsession with progress without regard for collateral damage and general consequences.

For such a small budget, this film also looks absolutely gorgeous, even in its destruction. The attention to detail and creativity is evident in almost every frame, and there’s a collective sense of care put into the craft that comes across throughout the entire runtime. An all-time blockbuster on the year!