Category: Indie

“American Fiction”

8.6

“At least he’d be rejecting the real me.” – This line, in the context of the scene it comes from, was a gut punch for the ages.

Eccentric, esoteric, and in the end, exceptional.

I’ve been intrigued as hell about this one since I first came across the trailer. Jeffrey Wright, Sterling Brown, and Issa Rae never miss, however, this takes things to a whole other level of cerebral subtext. I’m happy to report that not only does it give “South Park” a run for its money in holding a mirror up to the occasional absurdity of our human culture, but it’s also a fabulously crafted family drama under the hood. I didn’t expect the deep emotional impact of that plot to really round out and ground a wild main plot as it did. From the first to the very last frame, I can honestly say I was in disbelief. Absolutely brilliant!

“Founders Day”

6.2

I’m still so conflicted about this one. There were such beautifully done moments, but then a scene immediately following it that was so cringe that I found myself laughing at the absurdity. I didn’t hold the lack of character depth against them, it’s a slasher after all. That being said, “Thanksgiving” nailed what this movie was trying to do and fell short of consistently. There were some promising twists and turns, especially in the third act. The biggest downfall was the dialogue throughout. It took me out of multiple scenes and losing sympathy for multiple characters that I initially quite liked. Interestingly mixed bag here.

“Night Swim”

7.9

What a way to kick off the theatrical releases for the year!

If this is a sign of things to come, 2024 is going to be an amazing year for horror films.

For all the folks who put in a pool because they never felt it safe to go back in the water after the events of “JAWS,” I have some bad news for you. It’s also not safe in your pool. Especially when it’s spring fed. Magic pools always have a catch. Look no further than “Hot Tub Time Machine.”

The story, the execution of the scares, and THE SOUNDTRACK… everything here brings its a-game until the credits roll. With every twist and turn, you’re drawn further and further into the depths of this one. There was a wonderful charm of originality with this one that I deeply appreciated. The wholesomeness of the family and America’s pastime (baseball) as a central theme made the turn into darkness all the more striking. A home run to start the year for Blumhouse!

“Good Grief”

7.3

Setting your romantic movie in Paris is a cheat code. A tad unfair, no?

This one reminded me of “A Good Person” from last year. A strong entry in the “broken people helping other broken people through shared imperfections” genre. I appreciate the honest messiness between and within the characters, and the genuine discomfort injected into the second and third act. A little bit of awkwardness goes a long way in authenticity. Dan Levy and crew kill it. A solid Netflix entry to start the year!

“The Iron Claw”

8.1

🚨warning🚨 if you are sensitive to suicide as a subject matter, this film’s plot centers on it. https://988lifeline.org

So… maybe they should have taken that curse thing a little more seriously…

Get ready to get sad. A 2 hour train wreck in slow motion, as the Von Erich family’s meteoric rise is only matched by its tailspin and destruction. A story that has to be real to be believed. You can’t write tragedy like this. Brilliant performances by all, and a well crafted film. It’s a relenting descent into the madness of intensity and what happens when you push yourself to the breaking point and never let off the gas. Watching the motor slowly disintegrate before your eyes is admittedly hard to stomach for the over two hour runtime, but incredibly impactful.

Maybe not the best thing to go to if you want to maintain the holiday cheer, but a definite sign that it’s Oscar season, gang!