Category: Suspense/Thriller

“New Order”

“Parasite,” but with guns.

Instead of the class war only affecting a household, strap in and get ready to spend the next hour and a half trying not to spill your popcorn as you rush to turn away from a story that turns extremely violent exceptionally quickly. As the country collapses, we follow this family and their… employees… into the madness and the darkness. We watch the growing pains of a nation in transition as one governing party is overthrown and a new one violently installed through force—the struggle between new money and old money. A countries government is in turmoil, under the thumb of a much larger, more sinister old guard that wields the true power. The ending was not at all what I expected when shit began to hit the fan about 20 minutes in. I’m not sure anyone’s a winner in this one.

All things considered, a solid political thriller with well directed action and drama.

“A Quiet Place: Part 2”

8.7

This film’s premise is almost a cheat code for suspense. However, it’s so well done, I don’t care. The balance between heartfelt moments between characters and razor-sharp suspense that leaves you clinging to the edge of your seat… this movie is another masterclass.

Just enough expansion of the story and the world around the characters without losing claustrophobia. Just enough character development without losing the essence of the characters and their relationships with each other. Just enough new characters to keep you invested in the old while adding the intrigue of new.

They were able to play with the monsters much more this time around since there wasn’t as much shock value, but the film also doesn’t beat you over the head with them. The chemistry of this film’s story, the cast, and the brilliant cinematography and sound design immerses you in trusting discomfort.

The only nitpick I really had was when characters would take the stance of “that’s pretty risky, I don’t know…” Come on. Living in silence in a Demogorgon-infested hellhole running out of supplies while you die a slow and painful death of either starvation or loneliness? Spare me. Risk it to get the biscuit.

“Profile”

6.2

Entertaining enough, but fell flat in the end. I and the rest of row B spent most of the third act laughing at the stupidity of the reporter’s actions. Play stupid games, win stupid prizes. Hundreds of lessons of “what not to do” in the realm of personal security. Especially if you’re catfishing a terrorist. Like, come on!

Technically speaking, I understand why they chose this format for the film, but the screen capture genre seems to have met an appropriately timely death. It had a great deal of novelty in early indie horror films but now feels like it’s a cheap gimmick used to trim the budget of a poorly written project. The sleight of hand doesn’t cover for a story you won’t want to believe is based on a true story by the end. It’s similar to watching a video of a bullfighter being gored by a bull… We in row B left with a feeling of “what did you think was going to happen?”

“Salvador”

7.1

The story behind this film, to me, was much better than the film itself. If I may go off script, I highly recommend “Chasing the Light” by Oliver Stone. The man has lived a colorful life.

Essentially, this was the predecessor of “Narcos” and “Sicario.” The U.S. is meddling in another country’s affairs, fighting a proxy war on their turf, costing their lives instead of ours, with questionable morals. The commentary on U.S. foreign policy is brilliantly on display, including it going very, very wrong when we fail to learn our lesson.

James Woods and Jim Belushi make an unlikely but well rounded duo. The context of the autobiography added a nice richness to the already intense film.

Warning – A lot of violence and realistic gore, with an opening sequence flashing effect that will give even non-photosensitive viewers a headache. That discomfort sets up the overall theme of the film very well.

“The Deep”

6.5

So… what to say about this one. *strokes beard*

If you’ve read the book “Jaws,” you know it’s far more horny than the film adaptation. For this reason, the film’s story was able to become much more rich with multi-dimensional characters and deeper relationships between them. Instead of Hooper just perving on Chief Brody’s wife.

This film, based on another Benchley novel, missed that memo. And clearly just tried to coast off the fumes of JAWS. Honestly, if you’re looking for that, watch JAWS 2. It’s much better. This one is just a bunch of unexciting underwater scenes with bubbling sound effects for 15-minute intervals—diving off a boat that looks like the Orca’s cousin. Instead of a shark, there are eels.

This time, Quint joins in on the scuba diving, and almost dies as a result. Instead, the wife ends up as a damsel in distress just as often as they go scuba diving. Overall, this thing’s a hot mess. Nothing you can’t see watching an aquarium screen saver. Robert Shaw’s acting and Jaqueline Bisset preferring to scuba in a tight whit t shirt can’t even save this one.