“Slumber Party Massacre” (2021)

7.5

My favorite and least favorite part is how meta this hour and a half sometimes became.

This remake is everything I wanted in the remake of the phallic weapon-wielding psycho killer of the 80s favorite target of cinematic slayers – teenage girls at a slumber party.

There are just enough tongue-in-cheek references to the original 2, including the ridiculous guitar from the sequel and the feather-filled half-naked pillow fight (the gents this time). A nice balance of self-awareness and horror movie blissful ignorance in our main cast. This was one of the more lightweight and fun remakes of the year. I went in expecting ridiculousness and a few chuckles, and this delivered that and more! I feel this achieved what one of my most loathed horror remakes, “Black Christmas”(2019), was attempting to. This pointed out the stereotypes of the original, played into the “there’s a reason these don’t age well culturally,” but didn’t turn into a preachy nag fest that forgot it’s a slasher film and is also supposed to entertain the audience while enlightening them in the process. Chef’s kiss. Solid work, *checks notes* SyFy network…

“Antlers”

6.2

This one had such promise… That it ultimately pisses away by the time the credits roll.

An interesting premise, based on a Native American tale of a soul-thieving deer creature roaming the forest and punishing those taking from the earth and not doing their part to care for the world around them. But nope, we have to spend time with the family drama of the adults. Adults that are so dumb that they can’t figure out until their third trip to the house that that’s a car under that tarp that just appeared there since yesterday. Better yet, it’s the car of the principal who went missing. And who woulda thunk it? She should have listened to the creepy little kid and not gone in the attic. The lesson of the whole thing – if there are multiple deadbolt locks and one or more blessed artifacts guarding a door… don’t open that door. Bonus points – if you see a freshly dead body, don’t go stand over it. Something bad happened there to cause said dead body. Don’t tempt fate.

An interesting film that unfortunately fell flat in the end, in my book.

“V/H/S 94”

6.9

A true Shudder original.

You’ll be confused, you’ll be disturbed, you’ll be disgusted at points. You’ll ultimately leave entertained.

Fairly typical found footage film, with fun commercials in between the saga entries, and a light story tying it all together with some comedy to help cut the tension and keep you from having a stroke. This one was a wild ride. The best of the series since the original, in my book. Bravo to Shudder for a fun hour and a half!

“Paranormal Activity: Next of Kin”

7.2

Here at BGME, we judge “Paranormal Activity” films by the quality of their last 20 minutes. In that vein, this one is one of the best of the series.

In one of the stranger turns of the series, we see our couple venture into the snow-covered forest to explore the origins of our protagonist Margot. Shocker, she hails from a cult. (Shocked Face) There are bonfires, a hole-in-the-ground portal to Hell, strange extended relatives, and a tie-in to the original saga. This one checks all of the boxes after committing all of the jump scare reliance that the originals do. You take the good with the bad, and you get a decent scary movie about some paranormal activity.

“Only Murders in the Building”

8.9

How was this so good?!?!

Nothing about this should have felt as fresh and exciting as it did… but here we are.

The cast has terrific chemistry. The ridiculousness factor is at an 11, but I still binged the entire thing in one day and can’t wait for season 2! A classic whodunit, set in the quirkiest apartment building in New York City, with three of the most unlikely friends on the face of the earth and more dead bodies than a season of “Game of Thrones.” It was like Wes Anderson meets Quentin Tarantino, and it was a thing of beauty to behold. The three main characters rounded each other out as an ensemble much better than expected. I have been known to have a soft spot for Selena Gomez and watch pretty much anything she’s in (including the fantastic HBO Max cooking show). Still, she rises to the occasion and brings a sense of dry humor to the group that ever so naturally balances the goofier 2 of the tripod and makes it all work like a well-oiled machine. I was taken aback by how much I loved this one, as I haven’t laughed this hard since I stumbled upon “Letterkenny.” Hulu truly outdid themselves!