Category: Throwback

“The Descendants”

8.2

Gorgeous scenery, complicated life subject matters, deep characters, acoustic soundtrack…the Alexander Payne (Director) formula at the height of its powers.

Similar to “The Holdovers” and “Sideways” from his catalog, this one doesn’t shy away from the awkward or the difficult. Flawed people taking care of each other in the face of adversity is a film premise that will never tire.

George Clooney delivers one of his strongest dramatic performances, but it’s Shailene Woodley that steals the show. Her transition and development of character throughout the film is one of the greatest strengths of the story. As with most of Payne’s works, it’s the subtlety and attention to the smallest details in every frame that sets this apart from other films. Even the dumbass boyfriend becomes a redeeming character by the end, it’s truly a sight to see. Really well done.

“All The President’s Men”

7.4

Better as a book…

Not that the movie was bad, and I understand it’s a classic and an important story. However, the book was better in this case. I know this is sacrilege as a movie critic.

The performances are spot on and the script really does a great job of hitting the essential marks in the story, but there’s only so much they could fit into the runtime, and there was simply too much to fit into a reasonable runtime. Definitely one of those “Hollywood can’t write something this crazy” stories, that Hollywood struggled to translate to the silver screen.

“Secretary”

7.8

Where did he find that tiny saddle? One of many questions I found myself pondering with this one.

His positive punishment scheme also backfired on him here, becoming positive reinforcement real quick. Who woulda thunk it?

Being a lawyer, he should have known that you’re not allowed to ask ANY of those questions in an interview. Let alone the next hour and forty five minutes of OSHA violations. Pretty sure that spreader bar was a workplace injury waiting to happen.

Oh yeah, the actual movie – this Mr. Grey at least has some depth to him. As does Lee. James Spader and Maggie Gyllenhaal killed it here. They had much better source material than the “50 Shades” trilogy to work with, in defense of Dakota Johnson and Jamie Dornan. Unlike the purely (and poorly executed) sexual nature of that series, this film puts forth a valiant effort to venture into the deeper psychology behind BDSM. The definition of character study.

I can’t remember how this one ended up in my Amazon Prime Video queue, but I’m glad I finally gave it a go.

“Queen Rock Montreal”

8.3

The only thing preventing this from being a higher score is the legendary Live Aid performance. That aside, this is the band on its ascent to infamy, at the height of their powers. “Firing on all cylinders” doesn’t do the performance justice. Similar to “The Eras Tour” and “Stop Making Sense” last year (sorry for missing “Renaissance”), this is best seen in IMAX – the biggest screen and the loudest cinema you can find. They will, they will, ROCK YOU!

“Slap Shot”

6.9

The hockey version of “Major League”… about a decade before “Major League.” A lot less polished, but just as much ridiculousness, charm, and laughs. I had forgotten just how off the rails this movie gets, but for those who love the game of hockey there’s an undeniable charm about it… in between cringe moments that remind you that the movie was made almost 50 years ago.

A fun classic film night at the theater with this one!