“Find Me Falling”

7.5

Trigger Warning – This movie does dabble in the subject matter of suicide. Please contact 988 (https://988lifeline.org/) if you ever feel yourself in the darkest of dark places. As the sign at the end of this movie states, “let’s talk about it.”

With that being said, it’s a wonderful, heartfelt reflection and dark comedy about meaning and purpose in life and the importance of human connection. In a somewhat similar storyline to the “Mamma Mia,” our new friend John here finds himself with a surprise love story boomeranging back to him. He also finds out why he got the house on the island with a view for such a steal. As someone who often uses humor as a coping mechanism, I found a great kinship in this story of folks finding humor and beauty in what could be their darkest moments. Humans connecting through their shared adversity is one of my favorite genres, both on the big screen and in life. This movie does a great job of not taking itself too seriously at just the right times, which helps the heavy hitting notes to feel incredibly genuine for a Netflix movie. I was pleasantly surprised by this one! Of course, the music is also on-point throughout the runtime, which helps take it to another level. I’ll also from now on be referring to it as “jumping” into love instead of “falling,” in solidarity with my man Harry Connick Jr. He and Angi Scott had off the charts awkward chemistry and really kept the movie firing on all cylinders.

“Twisters”

8.4

I’m not going to lie… I was worried about this one. The original “Twister” was lightning in a bottle. In the midst of the late 90’s renaissance of insane action films (The Rock, Con Air, Face/Off, etc.) , it was the perfect concoction of chaos. Yet, here we are…

Glen Powell can really do no wrong at this point. There’s a genuine likeability factor at play that’s hard to fake. The combination of Zac Efron’s looks and Tom Cruise’s love of the cinema and both of their dedication to the craft of filmmaking. He’s at the height of his powers here, and is so damn perfect in this role. Daisy Edgar-Jones as the co-headliner was a surprisingly powerful pick. In the first act, I had my doubts, as the story takes a bit to get going and for the characters to fully open up. But when they do, both Powell and Edgar-Jones are the only ones you can see playing these parts by the time the credits roll. Their chemistry is just the right amounts of mutual respect and mutual sass. They’re a reincarnation of the couple we all fell in love with in Helen Hunt and Bill Paxton. The bridge between the second and third act is a gear I didn’t think either of them had as performers, and brough a weight and depth to the film I did not expect.

Thank God they included a “Suck Zone” reference. It wouldn’t have been a Twister film without it and would have been an enormous slight to the legendary Philip Seymour Hoffman.

Personally, I could have done without the Faster Horses level of bro country in the soundtrack, but that was small potatoes overall. The beauty and the sheer scale of this film is meant to be seen on the largest screen with the loudest sound system possible. Summer spectacle at its finest! Bravo!

“It Could Happen To You”

7.6

Way better than expected! I’m glad the Netflix “Leaving Soon” banner prompted me to finally give this one a whirl. It was just the right film at just the right moment. A nice little jolt of restoration of faith in humanity and love. From Nicholas Cage, of all people. Far departed from his more current role of Longlegs. He and Bridget Fonda have a wonderful ease about their friendship turned relationship that blossoms from a natural chemistry. It’s not often we get to see this side of Cage, but when we do it really shines.

The story was as wacky as they come, but perfectly authentic. I appreciate a film that dedicates itself to bringing such great characters to the screen. Was it clunky at times? Sure was. But it was the clunky that made it feel real and feel genuine.

Side note – is there an artist who cranked out more “late night dance in the kitchen” songs than Sinatra? “The Lady is a Tramp” has some competition now… (One person will get the deeper meaning behind this Easter egg. It’s as inside baseball as it gets. For everyone else – both are kick-ass songs.)

“Fly Me To The Moon”

7.8

This one genuinely surprised me. I didn’t expect these two to have such chemistry, and I didn’t expect the film to be so fun. The story itself is a conspiracy-lover’s dream. One of the ultimate historical easter eggs we all ponder from time to time. However, they don’t make it weird here. It actually works within what turns out to be a romantic comedy for the ages. Who woulda thunk it?

Channing Tatum really doesn’t get enough credit for his acting chops. I’m not afraid to give props to Magic Mike. The guy can act his ass off, and does here opposite of the always amazing Scarlett Johansson. Add in Woody Harrelson and Dean Pelton from “Community,” and you have a comedic juggernaut with heart for days. The 60’s aesthetic is to die for, as is the soundtrack front to back. Suit up, and prepare to enjoy a lighthearted balancing force alongside “Long Legs” at the multiplex this week.

“Hit Man”

7.9

Is there anything Glen Powell can’t do? (The answer is no)

He and Adria Arjona’s chemistry makes this whole thing tick. The story is bananas, but it’s the romance at the center of everything that really anchors the insanity and makes everything work. As with any type of film, it’s the heart that makes it work. As with most all of Netflix’s romantic comedies, this one knocks it out of the park. The streak continues. Strap in, and enjoy the ride of this incredibly fun caper.