Author: Brett_G

“Finding You”

8.2

With these types of movies, I typically judge them by the feeling I’m left with leaving the theater. Does it give me the butterflies? This one checked all of the boxes and left this forever bachelor inspired.

Uptight person who needs to learn how to relax from their polar opposite counterpart? Check.

Gorgeous leads who have spectacular chemistry? Check.

Beautiful locale? Check.

Overbearing manager/parent who makes it a forbidden love? Check.

Just enough twist on the story we’ve heard a million times before so we don’t mind rendition 1,000,001? Check.

Just wait until you find out the “you” that she finds… it’s going to blow your mind.

This film reminded me heavily of “Letters to Juliet” and “Leap Year,” which still stand as two of my favorites. Come to think of it, it’s also checking boxes that make it similar to “Somewhere in Time” as well. It’s also possible that this pounced on me in a time of sappiness to have a more significant impact. Totally possible. Either way, the cast was perfect, the story was exquisite, and the end product was *chef’s kiss*.

Side note: This rendition of “Whiskey in the Jar” was much different than the one I typically listen to.

“Spiral”

5.8

I was really looking forward to this one… so much for wishful thinking.

It tried to straddle the psychological thriller aspect of the original and the bloodlustful, senseless gore of the next 7 films. These don’t go together, apparently. It failed on both. Jerky editing, horrific pacing, and a storyline that confuses the audience instead of intriguing them

That being said, no one in the world says “muthafucka” quite like Samuel L. Jackson.

They kept it tight, at an hour and a half runtime, which was great. Any longer, and I would have been even more harsh. The theme of hating cops was timely, but got lost with a throwaway villain out past their skis. And… STOP trying to redo the puppet! It’s not going to happen. Get ready to feel underwhelmed walking out of the theater.

“Four Good Days”

8.1

Get ready to get sad. Then mad. Then worry. Then sad again. Then happy? I think it’s happily ever after, but damn… if it wasn’t a rough path to get there.

Huge Kudos to Mila Kunis and Glenn Close for taking on these roles. For a mainstream film, this story goes down some dark rabbit holes. It’s fairly unafraid to go places that help give the narrative much more weight and impact in the end. Stephen Root is a bit of a sleeper hit, though, serving to provide perfectly timed perspective to the other cast around him. Without him, I don’t think the story lands half of the punches it does.

May have to set your morals aside for the third act, or be ready to process some things. In the end, an incredible story to bring to the big screen.

“Minari”

8.5

A24 made this?!? I mean, there is a fire in the third act that reflects flickering light in the face of the cast that serves as a potent metaphor. But it’s not one of their family members ablaze, and there’s no witch in the woods who steals the children. Very out of character for them.

That said, this was an incredibly heartfelt and impactful family drama about the struggle to find the “American Dream” as an immigrant family. I loved the way that the story wove together so many different perspectives. American Culture, Korean Culture, Midwestern culture. The similarities and differences. What ties us all together as a community and what makes us unique as individuals.

Well worth having to read subtitles. I look forward to the film market becoming more international in the future, because of films like this.

“Separation”

4.5

Take it from the gentleman snoring behind me in the theater two-thirds of the way through… save your time and money. This one is rough. It’s too slow, hard to understand, and never really makes much sense. This is why the feature length tale of “the crooked man” stumbled trying to make its way into the Conjuring universe.

The special effects were well done, but there was nothing tying the scenes together or moving the story forward. Very meh…