Category: Suspense/Thriller

“Fear of Rain”

7.9

Strong “Words on Bathroom Walls” vibes, in the best possible way.

The art of cinema can be a compelling force. Helping us, as a society, to look in the mirror and reflect on our treatment of those with mental health issues can be a great force for good. This film struck a delicate balance between ensuring the extremes were felt and not getting too silly and over the top. They paid homage to the original Wes Craven trick of “is this the real world or is this a dream?” highlighting the unease and tension that fills the world of someone stricken with one of these terrible ailments. Not in such a way that it causes one to recoil and wish upon them a lifetime of confinement, but important steps to opening our hearts and minds to making a good faith effort to better understand and empathize with each other and the unique struggles we each may have.

Technically speaking, I felt like everything was exceptionally well balanced and that the twists that filled the third act were well earned and impactful. A term I’ve used with other films, this one keeps you in a state of productive discomfort. The edge of your seat feeling leads to the points of the story being that much more impactful by the time the credits roll. A very emotional tale and definitely a thinker of a movie. A great deal of nuance and interwoven clues that collectively form a beautifully complex piece of cinema. Extremely well done.

“Superhost”

6.4

I haven’t wanted protagonists to die this bad in a long time. I was rooting for Rebecca the whole time. The story was pretty predictable and over the top, but wonderfully done. The film is incredibly aware of itself, and leans into it in all the right ways.

Pro tip: Don’t stay in an AirBnB when the host seems a little “off,” there are cameras covering the place like a casino gaming floor, and the basement is locked with little to no explanation. Just because they cook you breakfast doesn’t mean bad things aren’t going to happen.

“Possession” (1981)

6.4

Similar to “Cannibal Holocaust,” I had to hunt down an unofficial official blu-ray of this online. How was this not on Shudder?! Anyway, there is a reason for that. It’s a strange one. Very moist.

Before Sam Neil was busy auditing theme parks (“Jurassic Park”), he was working for the government in a job more mysterious than Barney Stinson’s. He leaves this high-paying job to move back in with his… wife(?) and young son, only to find that there’s something amiss. I’m not entirely sure how to even explain it. Overall, the moral of the story is “Don’t stick your dick in crazy.” I know most slashers kill teenagers for doing the deed, but this takes it to a whole other level. Everyone who enters that sacred temple ends up mangled by the end of the film. This is what happens when curiosity drives one of my weekend watch picks.

Fun fact: Isabelle Adjani, the lead actress with the hypnotizing blue eyes that lure you in as a viewer almost as strongly as men into her trap in the story, was once married to actor Daniel Day Lewis.

Because I'm a Guy on Twitter: "If you stick your dick in crazy....😂😂… "

“The Card Counter”

7.9

“Any man can tilt.”

An Abu Ghraib movie the weekend of the 20th anniversary of 9/11. Ballsy move, but one I think pays off by the time the credits roll. What begins as “Molly’s Game” quickly turns into an Oliver Stone documentary, pulling back the curtain on the complicated nature of morality, the role of the United States in history, and the human costs of war. Oscar Isaac and Tiffany Haddish cement themselves as leading cast members. A masterclass in framing, tension building, and impactful filmmaking.

“Heat”

8.4

This is one of those monumental films that suffers from its own success. Similar to “Psycho,” “Halloween,” or “JAWS,” it kicks off a revolution of a genre and reimagines the craft of cinema, but then is copied so much that it eventually becomes a watered-down version of itself. I saw so many action tropes in this film and was reminded of the late 90’s action boom and the grandness of epics such as the Dark Knight trilogy, “Titanic,” and “Pearl Harbor.”

This film separates itself because the cast is so overflowing with talent than it does the micro exceptionally well. The intimate, deeply personal scenes, such as the scene in the coffee shop between Pacino and De Niro, are just as awe-inspiring as the grand scale action scenes. The heists and shootouts are some of the best tension-filled directing I’ve seen in quite some time. Shout-out to the Amazon Val Kilmer biopic “Val,” for leading me to this gem!