“Something Borrowed”

4.5

As a romantic comedy connoisseur, I really hate to do this, but here we go…

This movie is asinine. (I contemplated a f**k filled review, but then Facebook doesn’t like me)

Why did Dex ever get with Darcy in the first place? Why did Rachel stay friends with Darcy after she hijacked a first date and stole Dax? Why did Dax never ask questions? Why is anyone friends with Darcy? How are Rachel and Dax successful as lawyers? They fold like cheap lawn chairs under the slightest pressure. How in the hell does Rachel actually take Dax back after everything? How was THAT a happily ever after? This movie just pissed me off for the entire runtime. But I trudged through it, so you might not have to.

John Krasinski is the only redeeming character here. And the movie takes great pleasure in narratively kicking him in the testicles at every turn. These 2 hours were more painful than watching him wait years for Pam.

“Mannequin”

9.5

One of the strangest movies ever made. One of my favorite movies ever made.

Unabashedly itself.

A movie about an ancient Egyptian princess whose consciousness is transported to 1987 into a mannequin, which only comes to life for the gentleman who assembled her. They find each other, together find trouble, and in the end, find true love. All set to a soundtrack that oozes 80’s nostalgia. What more can you ask for?

Kim Cattrall… enough said. For a love story between a man and a dummy, the chemistry is off the charts. They have a perfectly playful rapport. Everyone is just the right amount of “in on the joke.” It’s lightning in a bottle, the likes of which only come around once or twice in a generation. “Hot Tub Time Machine” of the late ’80s. Probably a healthy dose of cocaine, too.

“Salvador”

7.1

The story behind this film, to me, was much better than the film itself. If I may go off script, I highly recommend “Chasing the Light” by Oliver Stone. The man has lived a colorful life.

Essentially, this was the predecessor of “Narcos” and “Sicario.” The U.S. is meddling in another country’s affairs, fighting a proxy war on their turf, costing their lives instead of ours, with questionable morals. The commentary on U.S. foreign policy is brilliantly on display, including it going very, very wrong when we fail to learn our lesson.

James Woods and Jim Belushi make an unlikely but well rounded duo. The context of the autobiography added a nice richness to the already intense film.

Warning – A lot of violence and realistic gore, with an opening sequence flashing effect that will give even non-photosensitive viewers a headache. That discomfort sets up the overall theme of the film very well.

“The Projectionist”

6.2

He’s not actually a projectionist, he just owns the theaters. Come on, movie!

Also, apparently, every movie theater in Times Square used to be a burlesque show that would drop a curtain and show skin flicks. Pee-Wee Herman’s paradise. Think “The Deuce” on HBO. Then, the big theater chains came in to buy all of the little guys out, but this guy held out… kind of. He turned one of his beloved movie houses into an apartment building with a bar. Overall, a very odd tale of an immigrant having his Tony Montana moment, triumphant over the AMCs of the world to maintain a hometown theater experience in the least “small town” locale on earth.