“Empire of Light”

6.7

It’s been quite a while since I’ve seen a movie this calculated to win Oscar’s. There’s typically one every year that crosses the line into being ham-handed with its intent.

While there may not be much in the way of story here, the cinematography is absolutely gorgeous, along with perfectly cast set pieces. Past that, it’s a movie about loving movies, race relations, feminism, and mental illness… checking off all the boxes on a “let’s win some awards” bingo card more so than treating any of the subjects with much care, unfortunately.

“Maybe I Do”

6.7

What started as a case of “holy shit this is a toxic relationship. Don’t fall for this ultimatum, buddy.” Evolved into an awkwardly funny rom-com, and somehow landed the plan as a play projected on the silver screen of sorts.

Great performances by all involved, even if the characters didn’t quite fit in certain scenes. But that may have been intentional to drive narrative tension and discomfort for the sake of illustrating the uncomfortable nature of the topics at hand.

At the end of the day – relationships take work. And it’s kind of an awkward situation when your partner is willing to put in the work with someone else and not their partner. Even worse when you meet “the other person.” Even worse when you challenge them to a fist fight. There’s definitely some charming moments sprinkled amongst the awkwardness. Not my favorite, but not as bad as the first 20 minutes led me to believe I was in for.

“Infinity Pool”

6.5

You’ll be questioning reality as the lines between fact and fiction blur… like the edges of an infinity pool. See what I did there?

If you can make it past the strobe light orgy scenes and make it to the most uncomfortable bus commandeering scene… congratulations! You’ll leave the theater befuddled and slightly pissed off at the abrupt ending. This film leaves you feeling like your all-inclusive vacation was filled with nothing but Montezuma’s revenge and rain, only to have someone kick you in the nuts at the airport just as you’re about to board the flight home to safety.

Mia Goth absolutely kills it, but I do sometimes worry about her being pigeon-holed as “unhinged female lead who creeps everyone out” moving forward. From “X” to “Pearl,” and now this… it’s a danger. But in the meantime, she’s got a knack for it.

I think there’s a social commentary about tourism to poverty-stricken nations and abuse of locals, but again, it’s hard to get past the strobe light orgies to get that deep into the story.

“Death Spa”

6.1

So… it’s kind of a rip-off of “Halloween 2”… but with more aerobics influence and a slightly more “pop” soundtrack. The kills are ridiculous, and a questionable amount of the runtime takes place inside solely the women’s locker room/shower… but that’s to be expected in an 80’s slasher. Ghost woman was an… interesting angle.

“The Game”

7.7

Not quite “Seven,” but close. David Fincher at play in the sandbox he knows best. Causing the audience to wince at every twist and turn because we’re worried what’s around the corner. Or what’s in the box. A really solid psychological thriller, with a great score and shot perfectly to ratchet up the tension from beginning to end. I still didn’t believe the ending, even as the credits were rolling. I was waiting for one last rug to be pulled out from under me. The sign of a story well told and world well constructed.

*the bottom video was me through most of this one.