Cinematic Sommelier
6.1
Oh… the opposite of Livestream. Gotcha.
You’ll be rooting for this guy to die the entire time. From the minute he hides the key to the lock from himself. He deserves every bit of what he gets. Which kind of kills the narrative of the movie, but makes it a nice popcorn flick.
Solid jump scares. Great camera work with the go pros and such. Not winning an Oscar anytime soon.
5.9
I spent most of the runtime uttering one of two phrases: “That’s not how that works” or “she didn’t have to be naked for that.”
Enjoy this wannabe “Halloween 2” that unfortunately ends up being fairly forgettable, despite the valiant efforts of Barbi Benton.
8.2
Shout-out to a Twitter mutual for this recommendation! She must have known I have a soft spot for “type A meets an endearing, yet maddening type B, and they learn balance from each other while hurtling towards a happily ever after” films.
John Cusack at the height of his charm and powers. Daphne Zuniga playing the perfect better half that is charmed just enough by his shenanigans that she overlooks the annoyance while an unlikely bond forms. Thank your deity of choice she didn’t fall for the total square. Walter’s heeding of John Keating’s advice from “Dead Poet’s Society” pays off in the end… Carpe diem, indeed!
The advice, delivered as only the legendary Robin Williams could: “Language was invented for one reason, boys – to woo women – and, in that endeavor, laziness will not do.”
Well worth hunting down a DVD copy on Amazon!
7.1
What you expect to be a film about classical music and hustle and bustle of the inner workings of a professional symphony turns into a study of power, connection, and the people behind the music.
As a big fan of Mahler, especially his 5th symphony thanks to “Somewhere in Time,” I was sold on this in the first 10 minutes. Surprisingly, this film only drags for about 20 minutes of its two and a half hour runtime. The rest has Aaron Sorkin-esque tension that keeps you waiting to see what’s around the next corner.
Is it for everyone? Probably not. Is it Oscar bait? Oh yeah. Was I impressed when the credits rolled? Definitely.
7.3
An absolute masterclass in practical effects!
The most unabashedly brutal film this side of “Cannibal Holocaust.”
Possibly the most blood I’ve ever witnessed painted across the big screen.
Art the clown cements himself as a horror icon, in my opinion.
Definitely not for the faint of heart. If you enjoy the classic slashers of old, and don’t mind a loose storyline, this is the film for you this spooky season! What feels like a guerrilla film that no studio in its right mind would green light. One of my favorite scores of the past year. This fall has been phenomenal for original horror films!
Brett Garten, Movie Extraordinare 