Category: Drama

“Dumb Money”

8.2

“Run through lightning with your dick out.”

Of course a line from Pete Davidson, but also a perfect encapsulation of the film.

Strong “The Big Short” vibes with this one, with a dash of the brilliant Mark Twain quote “History doesn’t repeat itself, but it often does rhyme.”

The film itself is perfectly made. A flawless snapshot of the moment. That all consuming insanity that preoccupied so many at the height of the pandemic. The crusade that pulled back the veil on a pillar of our American society and started a financial revolution.

The cast was immaculate and the script translated to the screen with just the right pace. It doesn’t spoon feed the viewer, but keeps you balanced between informed and entertained. It doesn’t take itself too seriously, but packs the punch of an Oscar contender in message delivered.

The ending is complicated, as are most great stories. Life is sometimes best lived in the gray. The excitement of the complicated nature of it all.

Veering off my normal path, it coincided quite well with my recent reading (shocker, I don’t just watch things) “The Creature From Jekyll Island.” (Linked below) Sadly, the themes of picking winners and losers and hidden puppet masters and the world revolving around money resonated from the page to the big screen with this one-two punch. I highly recommend both, but will warn that neither is for the faint of heart.

What can I say? I like the film.

The Creature from Jekyll Island: A Second Look at the Federal Reserve https://a.co/d/eXiEbEs

“Jules”

7.2

Wonderfully weird.

The design of the spacecraft and extra-terrestrial are perfect. Just normal enough but just strange enough to make it comedic. The unlikely team of humans coming together to discover a newfound purpose in life was a nice change of pace. It’s as if E.T. had the elderly as friends instead of kids fresh off a divorce. A really well made, adorable little movie.

“Barbie”

7.5

Yes, I completed the “Barbemheimer” opening night double feature. It was a truly wild ride.

Like “Oppenheimer,” this film also surprised me. The pendulum swings both ways, and actually finds much more common ground than I anticipated during the first five minutes of the runtime. The opening act essentially spells out that women working together and living in peace, empowering each other is… a fantasy land? The message of this movie depends on how deeply you dive into the narrative.

First and foremost, it’s a brilliant marketing move by Mattel. For a movie that lectures in multiple points about the evils of capitalism… it’s a cog in the machine, man.

The story does a great job of showing how both sides can overcorrect in the face of adversity, leading to an unnecessary breakdown in society, when things become disingenuous and performative… and actually lands on a high note of everyone growing as characters and a fairly positive outlook towards the future that I did not see coming.

Stylistically, it’s absolutely gorgeous. The set design is amazing, as expected, and everything is over the top. As with “Oppenheimer,” “Barbie” is also perfectly cast, and that cast is firing on all cylinders.

“Asteroid City”

7.9

One word – bizarre.

That being said, it’s Wes Anderson at the height of his powers. The aesthetic is awe-inspiring, and the alien invasion amusing. The typical cast of this time different characters unveil a narrative that had the packed theater both tilting our heads in confusion and tossing them back in laughter in unison. A really enjoyable opening night experience at the theater.

“Blackberry”

6.8

If you enjoyed “The Social Network” and “The Wolf of Wall Street,” you’ll enjoy this one. Why we need so many corporate biopics, I’ll never know, but they keep being good so here we are. The casting was one of the stronger points of this film, along with the screenwriting. What could have very easily been the most boring film of the year only worked because of the souls of the people involved. Comedic timing, nuanced performances, and the perfect dash of nerdiness made this click like the signature keyboard of the film’s namesake.