Category: Science Fiction

“Lisa Frankenstein”

7.9

Well that was a pleasant surprise!

Not since “Warm Bodies” has a film nailed the zombie rom-com in my book, and not since “Ready Player One” have I seen this many subtle nods to films of yesteryear cleverly shoehorned into so many frames.

Joe Chrest continues his run as “awkward dad.” Cole Sprouse rocks it as the lovable lug that our heroine can’t help but nurture as they slowly come to bring out the best in each other. Saving the best for last… Kathryn Newton. Holy shit, did she ever nail this! The perfect blend of wit, snark, and sensuality. She elevates every scene she’s in and simply steals the show by the time the credits roll. I honestly can’t see this movie working with anyone else. A testament to her brilliance in the role. A true sleeper hit, perfect for a makeup Valentine’s Day date this weekend!

“Suitable Flesh”

6.9

I was bummed to have missed this one in theaters. Thank God for Shudder!

Somewhere between “Freaky Friday” and “It Follows” sits this film. In the wise words of the Sex Ed/P.E. teacher in the original “Mean Girls,” “Don’t have sex, or you will get pregnant and you will die.” Turns out to be partially true. But I mean, it is Heather Graham, so can we blame the demon? Well above “suitable.” Speaking of whom, you could tell that she reveled in this role, going all-in on the crazy and embracing the scenery chewing Elizabeth Derby when she has her Mrs. Hyde moments in the spotlight. As with anything H.P. Lovecraft, get ready to get weird, sit back, and enjoy!

“I.S.S.”

6.1

Ladies and gentlemen, we have our first bomb of the year!

What could have been an interesting plot is sufficiently squandered by the time the credits roll. We didn’t need this movie. Let alone the tired Russia vs. U.S. plot. The sad state of space CGI. Mediocre execution. Maybe it’s just that “Interstellar” set too high of a bar, and movies since are just struggling to catch up?

Nothing against the cast. They tried. There was just nothing to work with here. The only bright spot was that it was on an hour and a half of my life I can’t get back.

“Five Nights at Freddy’s”

7.1

I didn’t expect this much Freddy Krueger in my Freddy Fazbear.

The PG-13 rating only really took away from the gore factor with this one. The kills and the tension were still there. The story was stronger and had more depth to it than I expected. Even more-so if you’re a fan of the video games, as the gentlemen behind me were. It drops a lot of Easter eggs and deepens a great deal of the lore behind the (even more) twisted version of Chuck E Cheese.

A perfect cast and a strong story made for a strong outing by Blumhouse. Unlike the recent “Exorcist” reboot attempt, I found this one much more within their wheelhouse. With the perfect song choice. 🤌🏻

“The Pod Generation”

7.9

Are you afraid of the future?

Do you question the motives behind maternity processes?

Do I have the film for you! I myself do not have children, and I’d be fascinated to know the way it would change my perspective on this one. From gender to societal roles and implications, this film takes a deep dive into much broader territory than I was expecting. There’s so much going on, yet it feels perfectly natural and palatable as the story unfolds and our characters journey on into the unknowns of a changing relationship with themselves, each other, and the world around them. Here I thought I’d never get to use “nature vs. nurture” in one of these things, yet here we are. It’s a fitting distillation of this film’s core.