“Cuckoo”

7.4

I didn’t expect the symbolism to be so on the nose here. To be perfectly honest, I had no idea what I was in for other than “weird” with this one. Thankfully, it delivers on weird, and so much more by the time the credits roll. I’m not really sure what the lesson was, other than to trust your gut and to refrain from wearing headphones while biking at night, but damn… it was a hellacious ride.

With the ambiance of “The Human Centipede” and “Shutter Island,” you spend the entire runtime on edge and guessing what’s going to unravel next. Hunter Schafer is the glue that really holds this one together and makes things work. Without her, there’s no way this one makes it to the end. If you don’t mind weird, this was a nice veer off the beaten path into the weeds of lesser known films at the multi-plex.

“Incoming”

7.8

Just a good old fashioned raunchy high school coming of age comedy. Chef’s kiss. No more, no less. I was pleasantly surprise by how well this one nailed the ambiance of the genre and played it’s part perfectly. It didn’t take itself too seriously and didn’t overthink things.

Appropriate? Not in the slightest.

Hilarious? You bet your ass.

“Blink Twice”

7.9

https://www.thehotline.org/

Unlike “It Ends With Us,” this one warns the audience that shit’s going to get dark.

… And holy crap does it ever get dark. I figured things would get weird, but not quite this deep into the worst of humanity. I can honestly say that I was caught as off guard as I’ve been in a long time by this one. But I can also say that not since “Promising Young Woman” and “Ready or Not” (or “Kill Bill) have I seen such an empowering tale of revenge on the silver screen.

I feel like he gets a lot of shit for “Magic Mike,” but Channing Tatum is one hell of an actor. He plays the villain perfectly in this one. Naomi Ackie on the screen and Zoe Kravitz behind the camera make for a hellacious one-two punch that really makes the film. I can’t imagine this coming together and being as balanced and impactful without their immense talents at play. Get ready to be befuddled for 2/3 of the runtime and sick to your stomach for the final act until the resolution right before the credits roll makes you want to laugh and cheer. It’s a WILD ride!

“It Ends With Us”

7.6

https://www.thehotline.org/

So… Blake Lively’s 100% in the wrong on this press tour. Damn… there’s nothing light about this movie. It’s an UNCOMFORTABLE watch. It’s a productive discomfort, but will definitely be triggering.

Going in with a fear that there would be a deference towards glorifying or worse yet romanticizing domestic violence, I was pleasantly surprised by the care that Justin Baldoni took to not only treat the subject matter with the utmost respect, but also delve into the nuance of broken people hurting other broken people when their broken pieces fit together and neither has the strength to pull out of the tailspin. The challenge of trying to help someone who needs but doesn’t want or isn’t ready for help. The weight of generational trauma.

It’s far better than the “Fifty Shades” fiasco. This one was well worth being the only guy in the theater not dragged there by his significant other.

“Deadpool & Wolverine”

9.1

Ah… the magic of cinema.

It’s not often you get to experience the culmination of 25-30 years of storytelling and wish fulfillment with 500 of your closest friends in an IMAX theater. This one truly turned out to be Fox-Marvel’s “Endgame.” Not only did Reynolds manage to stick the landing and close out one of the greatest superhero trilogies on the highest of notes, but also managed to shoehorn in every cameo and magical moment we didn’t even know we needed. A comic book movie that can cause guttural laughter and move me to tears is something of beauty. A work of cinematic art. Those ripping on the film are doing so because they’re not bought into the bit. Which is fair. It’s a weird world to enter. But if you’re willing to take off your thinking cap and let the Merc with a mouth work his magic for two and a half hours… you’re going to be hard pressed to find a more entertaining film this year. If we’re talking comic book movies, this is honestly the first one since “Avengers: Endgame” to not tarnish the brand.

*Stay through the credits for a nostalgic trip down memory lane. I didn’t expect such care to be taken, but I’ll be damned if this wasn’t the most “respectful of the legacy” film in AGES in Marvel. Well done!